The most well-known is Paul Eber’s “Lord God, to Thee We All Give Praise” (“Herr Gott, dich loben alle wir“), 1554. It appears in The Lutheran Hymnal, 1941, as No. 254, “Lord God, We All to Thee Give Praise,” and in the Lutheran Service Book, 2006, as No. 522, “Lord God, to Thee We Give All Praise.” Eber’s German hymn is a paraphrase of a Latin composition by Philipp Melanchthon, “Dicimus gratias tibi” (“We give thanks to Thee”), 1543. The tune, which in the Lutheran chorale tradition is known as “Herr Gott, dich loben alle wir,” is well known among English speakers as “Old Hundredth” due to its association with the metrical setting of Psalm 100 in the Geneva Psalter. Bartholomäus Gesius provided an additional tune in 1601, but it does not seem to have caught on, despite its majesty and beauty:
Another hymn for the Feast of St. Michael and All Angels is Georg Reimann’s “In Love God Grants His Christians Dear” (“Aus Lieb läßt Gott den Christenheit“). Though Reimann departed this life to join the holy angels in 1615, the first appearance of his hymn is in the Preussische Fest-Lieder, Part 2, Königsberg, 1644, where it is joined to Johannes Eccard’s tune, “Aus Lieb lässt Gott.” It appears in C.F.W. Walther’s Kirchen-Gesangbuch as No. 155, but it is not present in English hymnals.
Thanks be to God for the protection of His holy angels, who ever join us in singing His praises!